Look closely
You'll find things that aren't clay. Seashells from a trip to Galveston. Lace pressed from a scrap in my Me-maw's sewing room. Seeds, insects, screws.
Each piece is a narrative of a place in time.
The functional work
The everyday pieces are meant to be used. Everything is food safe. I make all of my own glazes, and I test every piece for vitrification and acid leaching.
A neutral, minimal palette keeps them quiet on purpose — so the morning coffee, or the berries from the garden, stay the star.
The sculptural work
The sculptural pieces run to guardians and keepers.
I feel a strong pull to protect nature, and a sense that nature has been protecting us all along while we keep destroying it. The guardians come out of that.